Most overrated Millennial band
| animeboi | 02/27/25 | | lib quotemo = literally WLMAS = Dumb Nigger | 02/28/25 | | animeboi | 02/28/25 | | Oh, You Travel? | 02/27/25 | | animeboi | 02/27/25 | | .- .-. . .-. . .--. - .. .-.. . | 02/27/25 | | animeboi | 02/27/25 | | .- .-. . .-. . .--. - .. .-.. . | 02/27/25 | | 49 Faggots and 1 Dune Coon | 02/27/25 | | disco fries | 02/27/25 | | animeboi | 02/27/25 | | 49 Faggots and 1 Dune Coon | 02/27/25 | | hank_scorpio | 02/27/25 | | Mainlining the Secret Truth of the Mahchine | 02/27/25 | | Candy Ride | 02/27/25 | | Mainlining the Secret Truth of the Mahchine | 02/27/25 | | 49 Faggots and 1 Dune Coon | 02/27/25 | | Mainlining the Secret Truth of the Mahchine | 02/28/25 | | .- .-. . .-. . .--. - .. .-.. . | 02/27/25 | | lib quotemo = literally WLMAS = Dumb Nigger | 02/28/25 | | Chris Benoit did nothing wrong | 02/27/25 | | .....;;,,.........;.;.;.;.,;,;,;.;.;,; | 02/27/25 | | animeboi | 02/27/25 | | Chris Benoit did nothing wrong | 02/27/25 | | .....;;,,.........;.;.;.;.,;,;,;.;.;,; | 02/28/25 | | Ass Sunstein | 02/27/25 | | cannon | 02/27/25 | | .- .-. . .-. . .--. - .. .-.. . | 02/27/25 | | Juan Eighty | 02/27/25 | | animeboi | 02/27/25 | | lib quotemo = literally WLMAS = Dumb Nigger | 02/28/25 | | Candy Ride | 02/27/25 | | Oh, you travel? | 02/27/25 | | 49 Faggots and 1 Dune Coon | 02/27/25 | | Candy Ride | 02/27/25 | | lib quotemo = literally WLMAS = Dumb Nigger | 02/28/25 | | Ass Sunstein | 02/27/25 | | ....;;;;;;.;;.;.;.;;.;..;;;......;.;;.;.;.;;;;.. | 02/27/25 | | 49 Faggots and 1 Dune Coon | 02/27/25 | | Wilbur Mercer, permanently embarrassed millionaire | 02/27/25 | | .,..,,.,.,.,.,.,..,.,.,..,.., | 02/27/25 | | Tenalach | 02/28/25 | | lex | 02/28/25 |
Poast new message in this thread
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Date: February 28th, 2025 11:39 AM Author: lib quotemo = literally WLMAS = Dumb Nigger
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(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48701866) |
Date: February 27th, 2025 8:35 PM Author: .- .-. . .-. . .--. - .. .-.. .
I still think Rilo Kiley was severely under appreciated and I would have done terrible, terrible things to a 20yo Jenny Lewis had I ever had the opportunity....
Im also a big fan of Death Cab for Cuties and I unironically did like The Postal Service. You can call me gay but I like what I like.
(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48700326)
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Date: February 27th, 2025 8:37 PM Author: 49 Faggots and 1 Dune Coon
MGMT definitely #1
Franz Ferdinand
Arctic Monkeys
(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48700334) |
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Date: February 27th, 2025 9:37 PM Author: Mainlining the Secret Truth of the Mahchine (You = Privy to The Great Becumming™ & Yet You Recognize Nothing)
Faggot.
First off, MGMT isn’t some overhyped flash-in-the-pan act riding one catchy single. Yes, Oracular Spectacular (2008) dropped bangers like "Time to Pretend," "Electric Feel," and "Kids," which got them pegged as psych-pop darlings, but they didn’t just coa$t on that.
But then...they evolved.
Congratulations (2010) flipped the script with weirder, proggier vibes—think "Siberian Breaks"—and proved they weren’t afraid to ditch the mainstream playbook.
By the time Little Dark Age (2018) rolled around, "Me and Michael" showcased a band that could still craft a synth-drenched earworm with lyrical depth and a haunting edge.
Overrated bands don’t sustain that kind of creative arc across a decade; they fizzle out or churn out derivative sludge.
Compare that to Franz Ferdinand and Arctic Monkeys.
Franz had a hot start with "Take Me Out" and that self-titled debut (2004), but they’ve been recycling the same angular post-punk riffs ever since, with diminishing returns. Their later albums feel like echoes of a sound that peaked early.
Arctic Monkeys, meanwhile, get endless hype for Alex Turner’s lyrical swagger and their genre-hopping—from the raw Whatever People Say I Am (2006) to the loungey Tranquility Base Hotel & Casino (2018). They’re good, no question, but the reverence feels inflated when half their catalog leans on nostalgia or overcooked experimentation. MGMT’s output, by contrast, stays consistently inventive without begging for applause.
"Me and Michael" itself is a rebuttal to the "overrated" tag. It’s got that shimmering, bittersweet vibe—layered synths, a driving beat, and lyrics that hint at identity and loss without spoon-feeding you. It’s not just a song; it’s a mood, a slow burn that sticks.
Overrated bands don’t pull that off years into their career—they lean on past hits or fade into irrelevance.
MGMT keeps delivering gems while dodging the indie cliché trap.
AutoAdmit takes smacks of someone who heard "Kids" on a playlist once and decided MGMT’s whole deal is overhyped-LJL.
No, faggot. They’ve got range, staying power, and a knack for balancing accessibility with oddball brilliance. Franz and Arctic might have their merits, but slapping MGMT as #1 overrated is a swing and a miss.
Check the receipts — MGMT’s discography holds up harder than the critique.
(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48700529)
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Date: February 27th, 2025 10:11 PM Author: Mainlining the Secret Truth of the Mahchine (You = Privy to The Great Becumming™ & Yet You Recognize Nothing)
Worse than Beach House? Impossible.
Beach House exists outside of time, and their discography is a cathedral of melancholic grandeur. Since Devotion (2008), Victoria Legrand and Alex Scally have refined a sound that is instantly recognizable yet in a state of permanent, haunting evolution.
Teen Dream (2010) didn’t just elevate dream pop—it defined it. "Zebra", "Silver Soul", "Used to Be"—each track a slow-burning requiem for a past life you can almost remember.
Bloom (2012) turned dream pop into astral projection—"Myth", "Lazuli", "Wishes". These are not songs, they are soundtracks to moments of existential clarity.
Depression Cherry (2015) & Thank Your Lucky Stars (2015)—a one-two cosmic knockout that broke reality into soft neon hues.
7 (2018) introduced darker textures, a celestial warping of their signature sound, proving that they are not just ethereal, but omnipotent within their space.
You don’t compare Beach House and MGMT like they’re two contestants in some ill-fated indie Thunderdome. That’s AutoAdmit brain rot. You don’t compare a cathedral to a rollercoaster—you stand in awe of both.
And yet, here you are, poasting with the conviction of a fool—as if anyone with an intact nervous system could experience "Space Song" at 2 AM and say, nah, this sucks ass.
Your take is fraudulent. Your ears? Wasted.
You are privy to a Great Becumming™, yet you recognize nothing.
(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48700638) |
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Date: February 28th, 2025 11:39 AM Author: lib quotemo = literally WLMAS = Dumb Nigger
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(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48701868) |
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Date: February 28th, 2025 12:46 AM
Author: .....;;,,.........;.;.;.;.,;,;,;.;.;,;
They reached their apex in 96-97 when they won their only Grammy and put out So Much to Say and Crash into Me, which are unquestionably their biggest, best-selling and most consequential hits. If you were a white suburbanite high school kid in 1996-97 you defined your identity in the most basic sense by whether you were for (and therefore a Prep and/or supporter of unconscious/generic white cultural hegemony) or against (everyone else). The fact that they had a massive touring career for 2+ decades after this period and released some follow up albums is not relevant. Arguing that their 2+ decades of constant touring and cashing in on the fanbase they built in the 90s is like arguing that The Rolling Stones are really a late 70s-mid 80s band. Not to mention that their entire mythology is “local college town band who steadily grew a cult following and eventually made good,” which is the most 90s/Gen X a schtick a band can have.
(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48700949) |
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Date: February 28th, 2025 2:05 PM Author: lib quotemo = literally WLMAS = Dumb Nigger
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(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48702543) |
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Date: February 28th, 2025 11:39 AM Author: lib quotemo = literally WLMAS = Dumb Nigger
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(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48701869) |
Date: February 27th, 2025 9:32 PM
Author: .,..,,.,.,.,.,.,..,.,.,..,..,
21 Pilots
(http://www.autoadmit.com/thread.php?thread_id=5686733&forum_id=2#48700513) |
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