Really happy for you both!

(http://www.autoadmit.com/thread.php?thread_id=5847133&forum_id=2...id#49753307)

He's also rich, so if he really wanted to have a kid, he can do that.

(http://www.autoadmit.com/thread.php?thread_id=5847133&forum_id=2...id#49753407)

ATLAS CHUGGED: A Story of Men Who Thought Very Highly of Themselves

ACT ONE: The Engine of Ambulances

The film opens on the smog-choked skyline of Los Angeles, where Mr. Parker stands atop the roof of his Van Nuys office building — three stories, but he tells people it's a tower — gazing at the 405 freeway below. His hairline has retreated so far north it's practically in Bakersfield. A lesser man would shave it. Parker is not a lesser man. Parker has a comb-over engineered with the same precision he applies to his demand letters.

Parker is a visionary. While other attorneys chase legitimate cases, Parker has built an empire on the radical philosophy that every fender bender is a life-altering spinal injury if you just believe hard enough. His waiting room is a cathedral of neck braces and exaggerated limps. His TV commercials air at 2 AM between ads for mattress stores, featuring Parker pointing at the camera with the intensity of a man who genuinely believes he's saving civilization. "YOU deserve compensation," he whispers. "Email me bro."

The economy is crumbling. The government has begun regulating personal injury claims. A mysterious figure is luring the nation's greatest grifters into disappearance. One by one, the shady contractors, the pump-and-dump crypto guys, the influencers who sell detox tea — they're all vanishing. And everywhere Parker turns, people whisper the same haunting question:

"Who is RSF?"

ACT TWO: The Moochers and the Mooch-ier

Parker's home life is in ruins. His wife has filed for divorce. In a monologue delivered directly to camera while standing in his kitchen wearing a bathrobe that costs more than most people's cars, Parker explains his side.

"I gave that woman everything. The house. The cars. The lifestyle. I introduced her to new experiences. I brought in pornstars to expand our horizons. Did she thank me? No. She 'withdrew.' She became 'emotionally unavailable.' She said I had 'coerced' her. I ask you — is it coercion to present someone with a PowerPoint about the benefits of an open marriage? Is it coercion to book the escorts before getting verbal confirmation? These are the questions the moochers don't want to ask."

The court disagrees with Parker's interpretation. The wife gets the Calabasas house. Parker moves into a luxury condo he calls "The Forge" but which is actually a two-bedroom in Encino.

Meanwhile, Parker's empire faces existential threat. The government has passed the "Fair Claims Act," which requires that personal injury plaintiffs actually be injured. Parker stares at the legislation in disbelief. "This is the death of innovation," he says.

His top client, a man who has been wearing the same neck brace since 2019 despite being recently photographed completing a Tough Mudder, has been subpoenaed. Parker's empire is crumbling. He monologues about the injustice of it all to his paralegal, who is visibly on Indeed.com.

ACT THREE: The Gulch (It's a Timeshare in Sedona)

At his lowest moment, Parker receives a mysterious invitation. A black card. Gold lettering. It reads: "You are not alone. Come to the Gulch. — RSF"

Parker drives to Sedona, Arizona, where he is greeted at a gated community by RSF himself.

RSF is not what Parker expected. He is soft-spoken, enigmatic, and — there is no way to put this delicately — spectacularly busty. He wears a linen shirt unbuttoned one button too many, and when the desert wind catches it, Parker catches a glimpse of what can only be described as a profound abundance. RSF notices Parker staring. "My eyes are up here, Parker," he says, in a baritone that suggests he's had to say this before.

RSF explains his philosophy. He inherited $40 million from the Victim Compensation Fund after his father died in the North Tower. He has never worked a day in his life. And yet, he explains, pacing the terrace of his adobe mansion while his chest moves with a momentum slightly delayed from the rest of his body, he is the true engine of the economy.

"The moochers want us to feel guilty," RSF says. "They want us to apologize for our wealth. But I ask you, Parker — did I choose to inherit this money? No. It chose me. And who am I to refuse the call of destiny?"

Parker is moved. "You're a genius," he whispers.

"I know," says RSF, adjusting his shirt. A button gives up the fight.

The Gulch is populated with other refugees from accountability. There's a crypto bro who rug-pulled a token called $LIBERTY. A wellness influencer who sold bleach as a nutritional supplement. A real estate seminar guru who has never successfully flipped a house. They have all been gathered by RSF, who has convinced them that their collective refusal to contribute to society is actually a political act.

They have built their own economy in the Gulch, which runs on a currency called "NIGRCOIN" and which has already depreciated 60% since Tuesday.

ACT FOUR: The Speech

The climax of the film is RSF's three-hour televised address to the nation, delivered from the Gulch while Parker stands behind him nodding like a man at a church service he doesn't understand.

RSF's speech covers his entire philosophy: that inherited wealth is morally superior to earned wealth because it is untainted by the compromises of labor. That the true parasites are not those who take from society but those who expect the takers to feel bad about it. That neck braces are a form of free expression.

Midway through the speech, visibly perspiring under the studio lights, RSF removes his jacket. The nation falls silent. C-SPAN's ratings spike for the first and last time in history. Social media erupts. The speech is no longer about philosophy. It is about what is happening underneath that shirt. CNN runs a chyron that reads: "MYSTERY BILLIONAIRE ADDRESSES NATION; AMERICA ADDRESSES MYSTERY BILLIONAIRE'S BITCHTITS."

Parker, watching from the wings, feels a single tear roll down his face and onto the barren frontier of his forehead. "This," he whispers, "is what the world took from us."

EPILOGUE: The Motor Stops

The government collapses without the contributions of Parker, RSF, and the other residents of the Gulch. Or at least, that's what they tell each other. In reality, nothing changes. Nobody noticed they left. Parker's former paralegal has started her own firm and is doing quite well.

Parker and RSF remain in Sedona. Parker has begun representing Gulch residents in disputes over NIGRCOIN. RSF has started a podcast called "Unburdened" where he interviews other wealthy people about how hard it is to be wealthy. It has fourteen listeners, eleven of whom are bots.

The final shot is Parker and RSF sitting on the terrace at sunset. RSF turns to Parker and delivers the film's final line:

"You know, Parker, they laughed at us. They regulated us. They called us frauds. But we did the one thing they never could."

"What's that?" Parker asks.

RSF smiles. The wind catches his shirt.

"Absolutely nothing."

SMASH CUT TO BLACK. CREDITS ROLL OVER "DON'T STOP BELIEVIN'" BY JOURNEY.

(http://www.autoadmit.com/thread.php?thread_id=5847133&forum_id=2...id#49753574)