0:10 Thin White Duke from Station to Station

0:12 "Heroes" record on the wall

0:20 Pierrot from Scary Monsters and Super Creeps

0:32 "Bowie" with another Pierrot costume, face projection technique that he's used on other videos including "Little Wonder", "I Can't Read", and a few more I can't remember.

2:14 Bowie's used this concept of holding himself in past projects, the most prominent being the cover of Hours... What I find interesting is that a character from `76 is holding a character from `80. Seems a bit backwards. Also, why doesn't Pierrot have much of a face?

2:55 The main melody of his song "Ashes to Ashes".

It's really good. I wonder if the fact that we keep seeing Bowie's face projected on canvases means something. Like I said, he's done it before, but I feel like it's supposed to represent an idea. His insistence on making references to his past is also really interesting for an artist who is so forward-looking. I know he's done that before but it's really out in full swing with this album.

(http://www.autoadmit.com/thread.php?thread_id=5114161&forum_id=2...id.#45292774)