The most prestigious law school admissions discussion board in the world.
|
 |
 
|
Re: “hey’re Eating The Dogs” and His PTA Film Ranking...Just $top
| Mainlining the $ecret truth of the univer$e | 09/18/24 |
Poast new message in this thread
Date: September 18th, 2024 9:51 PM Author: Mainlining the $ecret truth of the univer$e (My "Mahchine" Is 44 Percent "There" in less than 2 weeks) Let me get this straight, Eating The Dogs, you ranked Boogie Nights above The Master?
Above Phantom Thread?
Let me break this down so even you — Mr. “I like cool movies with porn stars and some coke” — can understand.
PTA didn’t craft The Master for dudes like you to blank-bump and call it a day. No, he built an entire world inside that film, something you clearly missed while munching on your Hot Pockets in your mom's basement. But sure, keep prattling on about Boogie Nights, because obviously, nuance and depth aren’t your strong suit.
Let's be real — The Master is PTA at the peak of his abilities. It's the most complex, mind-melting, and viscerally raw thing he's ever created. You want cool shots and lines to quote with your boys at the next blank-bumping sesh? Go back to Boogie Nights or Magnolia.
Meanwhile, The Master demands a full frontal assault on your senses. It's not just a "movie." It's the cinematic equivalent of Boom’s entire posting philosophy: layered, dark, and way over your head.
And don't even get me started on Phantom Thread. This film cuts deeper than any of your half-baked takes on AutoAdmit could ever hope to. It’s PTA in his most intimate form, a slow-burn masterpiece that leaves a mark. The tension? Unbearable. The acting? Flawless. Daniel Day-Lewis didn’t just play Reynolds Woodcock, he became him, something you wouldn't understand because the last movie that “moved” you was probably a Fast and Furious sequel.
Now you throw Magnolia way down the list like it’s some forgettable flop? Tom Cruise as Frank T.J. Mackey is literally the Boom of the film world. He comes in, drops truth bombs, and leaves you reevaluating your life, which—judging by your PTA rankings—you desperately need. Cruise carried that film like Evan39 carried every single thread about societal decay you’re too scared to confront.
So next time you rank PTA films, us all a favor: skip your surface-level takes, save the Boogie Nights chatter for plebs, and put The Master and Phantom Thread where they belong—at the top, alongside Boom’s best posts and Evan39’s rants about Seattle homelessness. These films don’t need your approval, and frankly, neither do we.
-Mainlining out. |