Billy Corgan calls (Them) out for intentionally destroying rock music
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Date: March 7th, 2026 1:22 PM Author: barnabyjones
Billy Corgan has a theory as to why rock music hasn’t been as prevalent in mainstream culture in the 21st century as it was in the ’70s, ’80s, and early ’90s. The Smashing Pumpkins frontman believes that rock was “purposely dialed down” beginning in the late ’90s.
On the latest episode of his own podcast, The Magnificent Others, Corgan discussed the state of rock music with his guest, writer and cultural commentator Conrad Flynn.
“I think, and I will say it overtly, I think that rock has been purposely dialed down in the culture,” began Corgan. “Again, this gets ‘wizard behind the curtain,’ right? Somebody’s gonna say, ‘Well, how do you know who was the wizard behind the curtain?’ All I know is I saw the gravity shift.”
He continued, “If you were at MTV or around MTV in 1997 or 1998, suddenly they decided rock was out when rock was still very, very high up in the thing. And it was replaced by rap… Their standards and practices immediately shifted, so now that things that weren’t allowed were suddenly allowed. People were waving guns. Some people assert that the CIA was involved in all that. Again, above my pay grade, but I saw it happen. I did witness it happen.”
https://consequence.net/2026/03/billy-corgan-rock-music-purposely-dialed-down/
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49723506)
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Date: March 7th, 2026 1:42 PM Author: Brother Peter Dimond
probably some truth to this but where was rock really going at that point
im sure he remembers what he was doing in '97. he released "eye" on the lost highway soundtrack which is a song he was intending to have shaq(not flame) rap on before david lynch told corgan that "tear"(which ended up on the adore album) wouldnt work for the movie
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49723593) |
Date: March 10th, 2026 1:23 PM Author: MISO HORNY
Frances Stonor Saunders’ 1999 book The Cultural Cold War: The CIA and the World of Arts and Letters (originally published in the UK as Who Paid the Piper?) reveals how the Central Intelligence Agency (CIA) covertly funded cultural initiatives in Western Europe and the U.S. from the late 1940s to the 1960s to counter Soviet influence during the Cold War.
The CIA established the Congress for Cultural Freedom (CCF) in 1947 as a front organization to sponsor art exhibitions, literary journals (like Encounter and Partisan Review), concerts, and film adaptations (e.g., Animal Farm, 1984).
Funds were channeled through philanthropic foundations like the Ford and Rockefeller Foundations to conceal the CIA’s role, creating a "long leash" strategy to distance the Agency from artists and intellectuals.
The campaign aimed to promote American cultural values—especially freedom of expression—by supporting movements like Abstract Expressionism, which was portrayed as the antithesis of Soviet socialist realism.
Saunders argues that many prominent figures, including George Orwell, Jackson Pollock, Hannah Arendt, Bertrand Russell, and Arthur Schlesinger Jr., were either unknowingly or knowingly involved in this effort, raising ethical questions about intellectual autonomy.
The book sparked significant debate: praised by critics like Edward Said as a "major work of investigative history," it was also challenged for its narrative style and sourcing, particularly regarding the extent of CIA infiltration.
The CIA’s cultural program was exposed in 1967, leading to the CCF’s collapse. Saunders suggests the Agency allowed its exposure, possibly because the campaign had served its purpose.
The book remains a landmark in Cold War historiography, highlighting the blurred line between state power and cultural freedom
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49731913) |
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Date: March 10th, 2026 2:13 PM Author: ,..,,,,,,....,,,...,
I’m not convinced that radio/MTV force-meming of Goo Goo Dolls or Sheryl Crow was a superior system of music discovery. You can now listen to tons of good old indie stuff that you previously had to live near a good college station to hear, or even more esoteric stuff if you prefer. If you want anthemic radio ballads that is still a business for Ed Sheeran, or you can be a boomer and listen to 90s rock radio until you die.
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49732094) |
Date: March 11th, 2026 2:12 PM Author: dino bravo
it's obviously the internet/Napster that caused all of this. no one who listens to rock music was going to buy a MTV forcememed band's CD for $12.99 when they can download every popular rock song ever made for free. the only ppl left to watch MTV videos and buy CDs were kids and retarded minorities who listen to rap/pop slop.
Corgan is prob just butthurt he can't print money in perpetuity the way ppl like the Rolling Stones and other boomer/early gen-x bands can.
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49734891) |
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Date: March 11th, 2026 3:32 PM Author: goyim in abundanceeeeee
This is 100% accurate. Billy fell off a cliff artistically after 'Adore', which was even a questionable offering after the quality of LP2 and 3, and he has always been super butthurt about it. There are so many interviews where he bitches about fans who come up to him and go Billy, I really like 1979 but I don't care for the other stuff. It drives him insane. The irony is that if not for his 5-6 best singles no one would have ever heard of him. The albums aren't great deep dives the way a band like Radiohead can make a record like Hail to the Thief which isn't their best but contains a level of intrigue and sophistication that entertain the committed fans.
The Rolling Stones haven't had a hit since the 80s but they embraced being 'entertainers' plus the Boomer Gen is just bigger and they get a ton of press for their lifestyle and shenanigans that fuel the hype. Billy isn't some kind of great entertainer, he's just an elite songwriter who completely dropped off almost 30 years ago. Pearl Jam I believe has a bigger fanbase than Pumpkins.
And then you look at Coldplay who is well removed from their peak creative period but they reinvented themselves for the Zoomer era with gay pop collabs that keep them relevant, plus the most lucrative stadium tour in world history. Also pop, also showmen.
I think if there's one way that Billy fucked up it's that he didn't keep going musically. Yes he wrote stuff but it was all bunk. He needed a couple more latter day hits. I think even the Chili Peppers are more relentless than Billy. He spent too long in obscurity complaining about his lot. The same thing arguably happened to Trent Reznor and Jack White as well. Every composer hits the wall at some point. It's what you do after that.
Radiohead probably did the most benefit to their legacy by being one of the only bands in history who put out an all-time great album with no skips in In Rainbows. Completely sucked in the Millennial generation for what would otherwise have just been another Gen X band. There's power in continuing and perpetually growing your brand over time rather than mailing it in. He should have shut the fuck up more and focused on the tunes and the personal connection with the fanbase. I love the old records but find him annoying and unrelatable.
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49735142) |
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Date: March 11th, 2026 4:16 PM Author: Brother Peter Dimond
yeah adore is a 180 album but it wasnt very popular compared to the previous two. that fucked with his head and he lost the ability to make great stuff because he gave too much of a shit about it.
whats funny is that he had switched gears to more electronic type stuff probably thinking(like MTV) rock music was stagnant at that point.
imo all he had to do was not dress up like uncle fester in the ava adore video and he would have been ok and made more music that wasnt terrible
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49735267) |
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Date: March 11th, 2026 4:50 PM Author: Brother Peter Dimond
think i had every pumpkins release(plus zwan and the iha solo album, lol) up until zeitgeist, gave them all a chance.
machina did grow on me, but its still just not that good. later corgan stuff makes me think of sick boy(trainspotting) giving his opinion on washed up lou reed et al
https://www.youtube.com/watch?v=pQD-dXfHrvk
(http://www.autoadmit.com/thread.php?thread_id=5842687&forum_id=2\u0026mark_id=5310751#49735365) |
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