Limp Bizkit was actually really good
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Poast new message in this thread
Date: February 24th, 2026 8:56 AM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691192) |
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Date: February 24th, 2026 9:00 AM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
Creed, Limp Bizkit, Korn, Kid Rock
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691196) |
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Date: February 24th, 2026 9:40 AM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
Tame Impala kinda sucks though
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691285) |
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Date: February 24th, 2026 10:08 AM Author: Edmonton Oilers (Δ)
This is Tame Impala's trajectory:
InnerSpeaker (2010): cool stoner rock no one's heard of. Most of the songs are about girls rejecting him and not knowing why. Subtly brilliant.
Lonerism (2012): psych rock and he scores a big indie hit with Elephant. Gets famous overnight. Flashes some pop songwriting chops but still only known by Pitchfork geeks
Currents (2015): breakout electropop megahits. Extremely polished, mostly an electronic dance record. So good it blows everything else out of the water. Perfect blend of his original sadness, psychedelic themes, and pure pop songwriting. He's now mainstream famous, no longer a stoner geek band. But this shit is overplayed, you hear it way too much in malls and restaurants and dive bars. Beaten over the head with it.
The Slow Rush (2020): a complete dud. He married some chick from high school, moved to Malibu, was on some Kanye album, hangs with Bieber, raids Biebers wardrobe. All his interviews are about how he does drugs every day and has an autistic obsession with music production. There's literally zero catchy melodies anymore and it's completely phoned in. The record label and the media pretend like this is an achievement but I've never met anyone who likes this album besides doodikoff whose opinion is wrong and immaterial.
Deadbeat (2025): it's just trash and everyone knows it. Totally disjointed. You can tell he tried a lot harder to make this one but it's a huge miss. He's utterly cooked by now.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691370) |
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Date: February 24th, 2026 11:32 AM Author: michael doodikoff
unfair attack. I never said that RE Slow Rush - I listened to it maybe once or twice and never again.
In fact, here is some of my commentary from recently (I am "Concupiscible ultramarine ladyboy" tp):
Date: January 17th, 2026 1:14 AM
Author: Concupiscible ultramarine ladyboy
It's boring IMO
(http://www.autoadmit.com/thread.php?thread_id=5823115&forum_id=2#49595845)
Reply Favorite
Date: January 17th, 2026 1:17 AM
Author: Ruby vengeful son of senegal
KP recently said he feels like it takes 2 years of touring for his new records to start fully resonating with audiences, or something like that. Maybe this will be like that? I loved this one and Currents instantly, but Slow Rush was more of a grower for me to understand the brilliance of the whole album
(http://www.autoadmit.com/thread.php?thread_id=5823115&forum_id=2#49595847)
Reply FavoriteEdit Your Message
Date: January 17th, 2026 9:31 AM
Author: Concupiscible ultramarine ladyboy
I’m an innerspeaker and lonerism and currents guy.
He is the best ever at that throwback acid rock vibe. Amazing drummer. Etc
The new synth stuff is just…. Meh. Don’t hate it, but don’t have an urge to listen to it much
I’ll listen to the new one some kore today for you though man maybe I’ll come to it a little more.
(http://www.autoadmit.com/thread.php?thread_id=5823115&forum_id=2#49596122)
Reply Favorite
Date: January 17th, 2026 12:50 PM
Author: Ruby vengeful son of senegal
"today for you though man"
Tyty - the fellowship of the GreatBort
It's funny that I prefer his last 3 but I also love the first 2, too - he's just a musical genius on all levels
(http://www.autoadmit.com/thread.php?thread_id=5823115&forum_id=2#49596444)
Reply FavoriteEdit Your Message
Date: January 20th, 2026 12:43 PM
Author: Concupiscible ultramarine ladyboy
I did a full listen this weekend.
The new album just seems kinda low effort compared to the older stuff, which was highly complex. Not bad, I don't hate it, its Tame Impala, but I guess my prefernce is the older stuff.
If Currents was the OK Computer of Tame Impala, I don't see how the new stuff is the Kid A of Tame Impala.
Basically an electro beat with some synths, and then the signature vocals that he could do all day over any music. Kind of basic. A couple songs are catchy, but again, to me just not nearly as exciting or fresh - we've heard this stuff before many times
(http://www.autoadmit.com/thread.php?thread_id=5823115&forum_id=2#49603616)
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691540) |
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Date: February 24th, 2026 11:45 AM Author: michael doodikoff
"On the first two records there's 2-3 great songs and the rest is mediocrity. "
ehh, dunno about that. Lonerism doesn't have a bad song (just did a quick spin, maybe "She Just Wont Believe Me" is kinda shit, but that's it), and I personally think that the overall quality of songs on it is just a tad below Currents. Its a fucking great album. Enders Toi is possibly my favorite Tame Impala song.
Innerspeaker is also great IMO. Not as strong overall as Lonerism, but it fucks. "Why Wont you Make Up Your Mind" is one of my favorite Tame Impala songs.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691554) |
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Date: February 24th, 2026 9:37 AM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
Deftones were always considered good though, but they never truly broke out into stardom
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691274) |
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Date: February 24th, 2026 9:47 AM
Author: .,.,.:,,.,:.,:,,:,.::,:.:.,.,:.,:,,.:.,.,:.::,
Borland could rip but their lyrics are just ljl. He was the entire band
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691311) |
Date: February 24th, 2026 10:15 AM Author: SkaddenArse
of course they were good. "media" tried to shit on them because the propaganda machine only promotes nig rap.
Anything that vaguely resembles White Identity must be destroyed.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691390) |
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Date: February 24th, 2026 10:55 AM Author: Edmonton Oilers (Δ)
I'm pretty sure they made Fred Durst President of MTV or something at one point. Limp Bizkit was peak. It was everywhere. He was basically tapped to run an entire record label they thought he was the genius tastemaker who would evolve into a record mogul. They gave him the keys to the kingdom.
LB failed I think when their 4th record came out and it was a dud and people realized they were washed up creatively. They were essentially surpassed by all of the white rage hard rock acts of the 2000s. Korn, NIN, Godsmack, Metallica, Creed, Lamb of God, Slipknot ruled the roost and rap rock was out. RATM I think hung on in the public consciousness because of their superior musicianship.
Fred really was the weak link in the band. There's only so much of his whiney voice people can take. Wes was burned out too. Again that 4th record was a big let down and they seemed like they were done really trying at that point. They also never made a big comeback attempt and were content to slowly fade away. I think they just chilled and had families and did rich guy shit for a while. By the time they did come back it was so many years later and really a niche by that point. Culture moves fast it is what it is. I do think they basically achieved as much as they could for their talent level. I think they milked every drop. When they hit their creative wall it was painfully obvious they had said everything they were ever going to say.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691484) |
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Date: February 24th, 2026 11:23 AM Author: Edmonton Oilers (Δ)
Probably true.
I think though that Linkin Park was a lot bigger than LB in the end (no pun intended). They were a massive global phenomenon, they just didn't play into mainstream culture. I think because they didn't have a ton of personality. But when Chester died there were like millions of people in Eastern Europe mourning in public like it was actually crazy. They have billions upon billions of streams. They are still a huge deal I think they were just very quiet and businesslike about it while Fred and Marshall were huge pop culture icons. I think the thing about rock is it's still a really big deal but it just doesn't cross over into the mainstream culture. I do think there was a tipping point where the Jewish controlled media decided to brush rock music aside but it seemed like this happened in the 2010s. Now they really do fawn over anything Black but that wasn't the case before.
And I think it's also interesting to note that Eminem became this well respected elder statesman of rap. I think a lot of black people really like him and he crossed over the racial barrier. He's just so talented and always pays homage to black rappers and has the left wing political views. They all seem to really like him and adopt him and don't care that he's a white guy. He essentially earned universal respect in the culture.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691531) |
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Date: February 24th, 2026 11:47 AM Author: Royce da 5'9 ((zurich is stained))
there's an ongoing debate in "the culture" right now about whether eminem is a GOAT-level rapper. i think it was commonly accepted that he was in the early - late 2000s, but people started shitting on him because he's "unrelatable" and "don't talk about real shit," but of course when he did an album on serious topics everyone shit on him. pretty much all respected rappers name him as one of the greats. random black doods on the internet however seem to like to shit on him these days.
he's unique in that he is truly hip hop. most white rappers move in and then leave to do rock once they get famous. even the beastie boys sorta did (but i chalk that up to their creativity), but eminem has an autistic obsession with rap and MCs.
eminem is objectively one of the best rappers and lyricists ever. you could make an argument for THE best.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691557) |
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Date: February 24th, 2026 12:17 PM Author: Royce da 5'9 ((zurich is stained))
no, i promise you there are a shitload of losers on social media (insta, fb, youtube) that shit all over him and call him "mid," "corny," etc. lord jamar from grand nubian in particular disses him in interviews all the time. the game, in a clear clout-chasing move, put out a diss track called "the black slim shady" in 2022 trying to get a response (he didn't get one).
not sure when this started, but it's gay as sin. nearly all black rappers give him credit as one of the greats though.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691612)
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Date: February 24th, 2026 12:07 PM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
he's a schizo
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691589) |
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Date: February 24th, 2026 12:30 PM Author: Like Clavicular but maxing annoying screeds (gunneratttt)
why do you write so many words arguing against a position you've invented i'm taking?
my position is rock is not as popular as it once was because tastes have changed. it's undeniable that it's not as popular, which is why you're resorting to PE transactions instead of billboard or spotify charts. note: this is not the same as saying rock is dead, unpopular, that old bands don't still have fans, etc. etc.
the only thing debatable is why it's less popular. you've said it's because there are NOGOODNEWROCKERS. i think that's retarded. there are plenty of great new rock bands, just like there are plenty of great new jazz and classical musicians. they're just not as popular as the artists in the genres heyday. despite the fact that every genre ebbs and flows as tastes change, you're convinced rock is different, but have no evidence to support this.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691639) |
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Date: February 24th, 2026 12:34 PM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
"why do you write so many words arguing against a position you've invented i'm taking?"
first time dealing with a schizo?
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691648) |
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Date: February 24th, 2026 12:47 PM Author: Like Clavicular but maxing annoying screeds (gunneratttt)
surely demographics changes play a major role. there is a myriad of reasons why tastes change, but it's just a fact that they *do* change, especially with popular music.
i think (((the media))) plays a much smaller role than it played before. historically you needed a label to promote you and everything was controlled by big businesses. not so much anymore. as far as why bad bunny is playing the superbowl, i think it's more about these businesses trying to capture new and growing demographics than catering to existing fans. i doubt any boomer went out at bought a bad bunny album after the superbowl. however, those people are tuning in whether Bad Bunny or The Eagles play at the halftime show. meanwhile, the nfl hopes Bad Bunny will attract an audience that wouldn't have watched otherwise, and that audience is growing relative to boomers that are dying off.
basically, they're trying to capture a larger audience by playing what's popular, not trying to influence what's popular by playing it.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691671) |
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Date: February 24th, 2026 1:17 PM Author: Edmonton Oilers
Jews own it, therefore you have to listen to it. Think of it this way, if you owned the rights to the film Train Dreams and you paid a lot of money to make it and you were out millions of dollars and needed to make it back, would you be interested at all in people watching Train Dreams? Would you be just as cool if someone wanted to watch Titanic which came out almost 30 years ago or would you be REALLY pinned to get people to watch Train Dreams. Music is the same way. When it comes to big music acts like Bad Bunny, the expense to the label is similar to a movie. And your ability to recoup the loss is more difficult because you don't have a world wide theatrical release, paying for streaming is a lot slimmer. But at any rate you wouldn't just not give a shit at all whether people watched Train Dreams. You would view it as a paramount necessity. And in fact you would go to great lengths to ensure that people watched it. In this analogy you are Jewish and connected and you are pushing Bad Bunny. You saw an opportunity, took it, spent millions, and now you must recoup. So what do you do? The same thing the music industry has always done. You forcememe. You plaster this guy's likeness everywhere. Interviews, TV spots, the Super Bowl. It's payola. You and your Jewish friends conspire to shove mainstream pop culture down people's throats. There's nothing organic about it. The people at your gym could easily switch the station to something else. But they don't. Because they're normies, they're brainwashed, they're low IQ. They're not savage music fans. They're Latinos who like a good beat. Simple. This is why this stuff persists. It's slop for normies run by Jews. At the end of the day the Jewish houses in Calabasas get bigger and bigger. That's the scheme and it works and that's why they do it. It's a creative process as inspiring as the effort that went into distributing a can of Goya beans to your local grocery store. It's slop for low IQ normie goyim so Cohen benefits. Remember that Pearl Jam late in their career own all their own business, go on tour every year, play massive sold out arenas, and make a ton of money for themselves and fans leave happy and they do this all with zero advertisements or marketing and Jews aren't involved at all. So does Coldplay. But you never hear about it in the news because they're no longer owned by Jews and Jews can't make any money off of it so why would they talk to about it? You only hear about properties Jews own because they own it and they'd be remiss if you didn't hear about it.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691709) |
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Date: February 24th, 2026 1:02 PM Author: Edmonton Oilers
Name one great new rock band. I'll wait. Read any critical consensus on, e.g., Greta Van Fleet who legitimately had a massive rock hit by the numbers. You'd be hard pressed to find a rock fan who thinks they're "as good" as any major act from 1950 to 2010. Everyone knows new rock sucks. We should at least be able to agree on this. If you think 21 Pilots and Imagine Dragons are "just as good" as Pink Floyd, David Bowie, or Nirvana, you're insane. No one believes this. Everyone ITT even doodikoff would agree that new rock sucks. If we can prove beyond a reasonable doubt that new rock is akshually bad, then I've won the debate. Because my PE argument is already rock solid. It's not based on nothing it's based on numbers. It's based on streams, tours, merchandise, and sales of physical CDs, digital downloads, and vinyls. It's based on cold hard facts. The growth is real in the same way that the valuation of the Yankees goes up every year, classic rock does too. If people didn't like it, it wouldn't go up. So there's only two possible reasons why 21 Pilots isn't as big as Nirvana. It's either because Gen Z is all brown and gay and only care about Tyler the Creator, OR they actually just suck musically which I think most everyone agrees on. I have won this flawlessly and cannot be convinced otherwise.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691690) |
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Date: February 24th, 2026 1:31 PM Author: Like Clavicular but maxing annoying screeds (gunneratttt)
"It's either because Gen Z is all brown and gay and only care about Tyler the Creator" i.e. TASTES HAVE CHANGED
"they actually just suck musically which I think most everyone agrees on" i.e. I DON'T LIKE ZOOMER MUSIC (what every older generation thinks of the new generation's music)
of course you cannot be convinced otherwise -- having zero people agree with you has never stopped you from declaring victory. but you should at least stop saying "no one can explain" something that has been explained to you many times. you just disagree with the explanation and have invented an alternative one.
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691744) |
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Date: February 24th, 2026 2:04 PM Author: Edmonton Oilers
I really don't understand what you're saying at all but as far as why a rock song hasn't topped the Hot 100 since Nickleback in 2002 it's because of how they count what's popular. It's heavily weighted towards radio airplay which is based on a payola scam. Only a tiny number of people listen to terrestrial radio but it's extremely lucrative for Jews because the stations pay them 50x the royalties that Spotify does. All radio stations are legally on the payroll of the Jewish record labels through some loophole that allows payola schemes. It's mathematically impossible for a rock song to do well enough on radio to go to number one, there just aren't any rock radio stations.
In other words think of it like this. Susie is listening to Taylor Swift in the car and her listenership via ad revenue contributes 15 cents to Taylor's record label for listening to it. Bob listens to Night Moves by Bob Seger on Tidal which is worth like 0.001 subpennies or whatever. In terms of fandom it's 1:1, but the label made more money on Taylor, which effects the charts.
At any rate in the last 5 years tons of classic rock songs have topped the digital charts and other metrics such as Master of Puppets blowing up because of Stranger Things, or Africa by Toto which comes back around in vogue periodically or Radiohead's Let Down. By many metrics the popularity is still way up there. A rock act could easily get really big today if they had quality songs and it's not even debatable. Fans are still waiting on the songs!
Wheetus just hit 1 billion streams! Still popular!
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691874) |
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Date: February 24th, 2026 10:30 AM
Author: .;:..;:.;.:.;.,,,..,.:,.;....;,;;;..;,..,,.,,....,
https://x.com/joeybeastmarket/status/2025005090516430905?s=61
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691419) |
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Date: February 24th, 2026 12:03 PM
Author: .,.,.,.,.,...,.,,.,,.....,.,..,.,,...,.,.,,...,.
you think you're clever, Trumpkin?
(http://www.autoadmit.com/thread.php?thread_id=5837893&forum_id=2\u0026show=week#49691578) |
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