Still, to endeavor to write about the JAP feels, in some way, like a risky proposition — a boon to the rising class of anti-Semites and their claims about “globalist Jews” and Jewish money. Why pick now to salt an old wound? But the JAP, as a figure, is a paragon of nuance, as complex as the Jewishness and womanhood she draws from.

At worst, she is the dybbuk of the upwardly mobile, the ever-haunting spirit of the Jewish nouveau riche as it tries to find its place in the American class system. At best, she performs her own kind of Jewish drag, reclaiming the anti-Semitic tropes of yore as a positive ideal of Jewish womanhood. I see her as a queen of multitudinous existence.

(https://autoadmit.com/thread.php?thread_id=5875712&forum_id=2#49976974)